Matt Rugg
Early and Late Works
NewArtCentre, Salisbury
12 November 2022 - February 2023

Conservation mounting and box framing of various works on paper supporting the conception and execution of sultptural works, and some as entirely stand-alone pieces. Some of which created at the early part of Rugg’s career in the 1960s and others as recent as 2010.
With float mounting chosen to suit each particular paper, and splined maple box frames hardly larger that the works themselves. Displayed alongside companion sulptures where relevant.

Images courtesy of Matt Rugg Estate and NewArtCenter

Ella Littwitz
'If everything that exists has a place, place too will have a place'
At Copperfield, London
15 September–29 October 2022

Framed elements for 'Edith', a composition comprising of two archival inkjet prints each 2000 x 900 mm. Dry mounted in house to di-bond and box framed in splined black walnut frames with anti-reflective UV glass.

Photograph: Ella Littwitz, 'Edith', point cloud archival pigment prints, 200 x 90 cm (each).
Courtesy of Copperfield Gallery

Kemi Onabulé
'Arcadia'
Sim Smith, London
3 September–1 October 2022

Framed monotypes of varying sizes. Float mounted with surrounding window mount and box framed in custom slanted black walnut box profile with sloped cherry wood splines and anti-reflective glass offering UV protection.

Some white spray finished elements with artrwork float mounted on white interior and box framed with anti-reflective glass offering UV protection.

Images courtesy of Sim Smith

Erica Smith Ramos
MFA Wimbledon Degree Show
Chelsea College of Arts
15 July–17 July 2022

Framed element: Sea of Void, 1590 x 1059 mm, resin coated silver gelatin print.
Stacked-pyramid shaped frame in black stained maple, glazed with laser-cut clear acrylic to achieve shape.

Image courtesy of Erica Smith Ramos

Lindsey Bull
'Two Rooms' with Will Cruikshank
Bo Lee and Workman, Bruton
1 July–17 July 2022

Framed elements: Lindsey Bull watercolours on paper, archivally float mounted and box framed on colour matched sprayed di-bond interiors with matching spray finished box frames and anti-reflective glass offering UV protection.

Images courtesy of Bo Lee and Workman. Foreground sculptural works by Will Cruickshank, wall-hanging framed watercolours by Lindsay Bull.

Michael Ginsborg
'Field Notes – recent drawings'
Benjamin Rhodes Gallery
16 June–30 July 2022

Fifty-two drawings and collages made on pages of a Moleskine notebook, removed and float mounted and box framed in white spray finished frames with anti-reflective UV protective glass. Beautifully installed by the gallery in a single line around the perimeter of the room.

Photograph: Justin Piperger. Image courtesy of Benjamin Rhodes Arts

Tim Garwood
'Horatiu Boldor'
Sim Smith, London
7 May–11 June 2022

A collection of 21 reverse paintings on 3 mm glass with oil, spray paint, acrylic, ink and collage.

Framed element: custom milled and mitreless spray finished frames in artist-specified RAL colours unique to each work. Ranging in size from 600 x 480 mm to 1500 x 1300 mm. With polyethelene-lined board and custom heavy-duty tulipwood sub-frame with split batten system for hanging.

Image courtesy of Sim Smith

Raqib Shaw
Palazzo della Memoria
Venice, Ca’ Pesaro – International Gallery of Modern Art
22 April–22 September 2022

Framed elements: Steam-bent black walnut tray frames for paintings on circular panels.
7 x 50 mm section with integrated circular split batten for installation.

Images courtesy of Raqib Shaw and White Cube

Hormazd Narielwalla
'Pattern Symphony'
Solo show, London
7 April–13 June 2022

Paintings on found printed dressmakers' patterns requiring conservation mounting and UV protective glazing, assembled to splined black walnut box frames.

Showcasing a multi-panel composition in a custom designed latticework frame, in splined black walnut with radiused intersections. Artwork float mounted to each aperture and glazed with anti-reflective UV protective glass.

Images courtesy of Hormazd Narielwalla

Bárbara Alegre
'Dancing in the Sky, Waiting for the Sunset'
IONE & MANN at Cromwell Place
May 2022

Framed elements: works on paper created using make-up and oil. Float mounted on white conservation board and box framed in 10 x 33 mm splined black walnut frames with anti-reflective glazing offering UV protection.

Top image: Bárbara Alegre,
'Last Lesson 2021', photograph by
Javier Rodero Villa.
Installation view: Matt Spour

Jana Emburey
Silent Traces, with Yuichiro Kikuma and Anthony Whishaw RA
IONE AND MANN
1 December - 12 December, 2021

Tray frames for monochrome ink and acylic on Japanese kozo paper on board, some works on canvas, and float mounted box frames for watercolours on paper.
Unique frames chosen carefully to resonate with each painitng, meanwhile exploring the influence of different materials on the tensions and cohesion of the group of work as a whole. Including spray finished white lacquer, splined black walnut, limed maple, and mirror polished welded stainless steel.

Images courtesy of IONE AND MANN and Jana Emburey

David Surman
'Fairy Painting'
Sim Smith, London
9 October–6 November 2021

Framed elements: custom run 7 x 50 mm iroko tray profile for paintings on canvas at 1600 x 1400 mm and 600 x 500 mm.

Custom milled splined iroko box frames for watercolour paintings on paper, float mounted with surrounding large window mounts and anti-reflective glass offering UV protection.

Images courtesy of Sim Smith

Hilda Kortei
'Waitless Beyond Blue'
Cob Gallery, London
5 August–4 September 2021

Exhibition consisting of painted works on unstretched canvas. Framing conceptualised with the curators and the artist to consist of three distinct materials, all custom-sized tray frames in maple, walnut, and a group of artist-specified colours. Artworks all mounted into frames on a barrier of conservation quality mountboard and secured using stainless dress-maker's pins.

Also some works on paper float mounted to box frames in spray finished artist-selected colours with matching interiors and anti-reflective glass offering UV protection.

Images courtesy of Cob Gallery and
Hilda Kortei

JamJar Flowers
'The Nature of Thyme'
Thyme England
11 June–13 October, 2021

Framed element: 'The Nature of Thyme'. An oversized multi-panel latticework frame constructed in black walnut with radiused intersections to display 28 individual pressed flowers mounted to A3-sized boards.
2259 x 1800 mm in total. Glazed with anti-reflective UV protective glass. Supported by and installed on split batten subframe system.

'Clematis Window I'
Deep shadow box frames in black stained ash. Artwork consisting of pressed flowers mounted to and sandwiched between two pieces of anti-reflective glass with deep set-back mount board interior to accentuate relief and shadow effect.

Images courtesy of JamJar Flowers

Frances Waite
'Hot Water'
Cob Gallery, London
29 April–22 May 2021

A collection of graphite drawings on paper float mounted over custom spray finished pale grey interiors with colour matched box frames and anti-reflective glass offering UV protection.

Twenty one small works of varying sizes plus two large works at 1700 x 1300 mm.

Images courtesy of Cob Gallery and
Frances Waite

Remi Rough
'Post Suprematist'
Kronos Gallery, Trento, Italy
28 September–21 December 2020

Selected works on paper, spray paint, graphite and varnish. Float mounted over white conservation board and box framed in black walnut with museum glass.

Image courtesy of Kronos Gallery and
Remi Rough

Jemma Appleby
Luce, with Liz West
Daniel Benjamin Gallery, London
20 December 2019–15 February 2020

Large scale charcoal drawings on paper 1080 x 1080 mm, dry mounted to enable box framing to the edge and framed in custom charcoal-finish tulipwood using ultra-matt mineral black stains mixed in-house and spray applied. Anti-reflective glazing and split batten hanging systems.

Several smaller drawings window mounted in white board and framed in matching charcaol stained tulipwood frames with anti-reflective glazing.

Images courtesy of Jemma Appleby and Daniel Benjamin Gallery

Remi Rough
'Air Miles and Mechanised High-Tech
Graffitti Styles'
Wall Works Gallery, New York
2 November–13 December 2019

Selected works on paper, spray paint, graphite and varnish. Float mounted over white conservation board and box framed in black walnut with museum glass.

Image courtesy of Wall Works Gallery and Remi Rough

Ambrosine Allen
What Remains
Bo Lee Gallery, London
12 October - 3 November, 2018

Large scale paper collage works with artist-applied UVA filter archival varnish. Window mounted in white museum board with hand-cut circular apertures and box framed in black stained tulipwod profile glazed with UV protective acrylic glazing.

Small collage works float mounted over white board faciliateted by artist-made loops integrated into the reverse of artwork and secured with perlon threads to board. Box framed in deep black walnut profile with anti-reflective glass offering UV protection.

Image courtesy of Bo Lee and Workman, and Ambrosine Allen